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注释： ①中文译文参考了阴志科：“伊格尔顿‘文学事件’的三重涵义——兼论书名中的event”，《文艺理论研究》6(2016)：88。 ②这部分阅读参考了Paul Patton."Becoming-Animal and Pure Life in Coetzee's Disgrace." Ariel:A Review of International English Literature,35.1-2(2006):101-19.巴顿在文中还分析了戴维·卢里的生成动物。 ③德勒兹从丹麦语言学家叶尔姆斯列夫(Louis Hjelmslev)那里借用来这些术讨论福柯的《知识考古学》，并赋予它们一种完全不同的含义。参见德勒兹《福柯褶子》，第53页。 ④虽然德勒兹(和瓜塔里)对事件的理解与巴迪欧的理解略有差异，但在德勒兹(和瓜塔里)这里，作者和读者需要像巴迪欧的忠诚主体那样对事件忠诚，才能让文学作品发挥其“文学伦理学”功能。具体如何发挥该功能，详见下文中的讨论。 ⑤目前国内对“minor literature”一词有多种译法，如“小民族文学”“少数文学”“小文学”‘小众文学”等，本文采用了“小民族文学”这一译法，因为德勒兹(和瓜塔里)在《千座高原》中阐述“小民族语言”和“大民族语言”时对“大”和“小”进行了详细探讨：“大”和“小”不是指数量，而是说“大”是主导、规范、标准和常量，是权力的施行，而“小”则是对“大”的解域、颠覆，是对标准的违规，是变量，是变化、生成和创造(尹晶75)。采用“小民族文学”这一译法也可与德勒兹(和瓜塔里)讨论的“小民族语言”和“小民族政治”保持一致。关于“小民族文学”的内涵，详见下文中的讨论。 参考文献： [1]Achebe,Chinua.Morning yet on Creation Day:Essays.Garden City:N.Y:Anchor,1975. [2]Attridge,Derek.The Singularity of Literature.London and New York:Rutledge,2004. ---."Singular Events:Literature,Invention,and Performance." 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[27]Rushdie,Salman.Imaginary Homelands.London:Granta Books,1991. [28]《印度著名女作家洛伊独家专访》，2008年3月11日，〈http://book.sohu.com/20080311/n255641314.shtml〉. [An Exclusive Interview with the Famous Female Indian Writer Roy,March 11，2008.〈http://book.sohu.com/20080311/n255641314.shtml〉] [29]尹晶：“小民族政治的文学实践”，《国外理论动态》1(2008)：75—79. [Yin,Jing."The Literary Practice of Minor Politics." Foreign Theoretical Trends 1 (2008):75-79.] [30]阴志科：“从‘理论之后’到‘文学事件’——新世纪伊格尔顿的文学伦理学立场”，《贵州社会科学》12(2014)：67—73. [Yin,Zhike."From 'After Theory' to 'the Event of Literature':Eagelton's Position of Literary Ethics in the New Century." Guizhou Social Sciences 12(2014):67-73.] ---：“伊格尔顿‘文学事件’的三重涵义——兼论书名中的event”，《文艺理论研究》，6(2016)：81—90. [---."The Triple Connotations of Eagelton's 'Event' in the Event of Literature." Theoretical Studies in Literature and Art 6(2016):81-90]. [31]周慧：《事件与艺术：利奥塔的语位政治学和后现代的崇高美学》，《文艺理论研究》6(2016)：73—81. [Zhou,Hui."Event and Art:Lyotard's Politics of Phrase and the Postmodern Sublime." Theoretical Studies in Literature and Art 6(2016):73-81.] (责任编辑：admin) |