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中国古代诗学中“以古为律”思想的演进(7)

http://www.newdu.com 2017-10-17 《文艺理论研究》2013年 刘占召 参加讨论

    注释:
    ①与其他学者反对“以律为古”不同,许学夷的态度比较包容,其《诗源辩体》卷十七:“古律之诗虽各有定体,然以古为律者失之过,以律为古者失不及。唐人长于律而短于古,故既多以古为律,而又多以律为古也”(杜维沫校点,北京:人民文学出版社,1998年)196-97。
    ②胡震亨《唐音癸签》卷十《评汇六》(上海:上海古典文学出版社,1957年)80。关于“以《诗》为诗”,杜甫还学习《诗经》的制题之法,五律如《洞房》《宿昔》《能画》《斗鸡》《历历》《洛阳》《骊山》《提封》等,七律如《野老》《白帝》《腊月》《秋尽》《黄草》《吹笛》等篇,均以首二字为题目,王嗣奭《杜臆》卷八在评价《洞房》云:“每首先成诗,而撮首二字为篇名,乃三百篇遗法”(上海:上海古籍出版社,1983年)259。
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