|
①Dan Shen(申丹)，"Covert Progression Behind Plot Development," Poetics Today 34.1-2(2013),pp.147-175; Dan Shen,Style and Rhetoric of Short Narrative Fiction:Covert Progressions Behind Overt Plots(London & New York:Routledge,[2014]2016)；申丹：《叙事动力被忽略的另一面》，《外国文学评论》2012年第2期，第119—137页；申丹：《何为叙事的“隐性进程”，如何发现这股叙事暗流？》，《外国文学研究》2013年第5期，第47—53页。 ②在国际上发表的相关论文有Dan Shen,"Dual Textual Dynamics and Dual Readerly Dynamics'",Style 49.4(2015),pp.411-438; Dan Shen,"Joint Functioning of Two parallel Trajectories of Signification",Style 51.2(2017),pp.125-145. ③详见申丹：《情节冲突背后隐藏的冲突：卡夫卡〈判决〉中的双重叙事运动》，《外国文学评论》2016年第1期，第97—122页。 ④Patrick D.Morrow,Katherine Mansfield's Fiction(Bowling Green:Bowling Green State University Popular Press,1993),p.139. ⑤详见申丹：《苦难煎熬背后的社会性别转换：曼斯菲尔德〈巴克妈妈的一生〉中的双重叙事运动》，《英美文学研究论丛》2016年第2期，第312—333页。 ⑥详见申丹：《叙事动力被忽略的另一面》；Dan Shen,Style and Rhetoric of Short Narrative Fiction,pp.125-144。 ⑦详见Dan Shen,Style and Rhetoric of Short Narrative Fiction,pp.50-69。 ⑧详见申丹：《反战主题背后的履职重要性——比尔斯〈空中骑士〉的双重叙事运动》，《北京大学学报(哲学社会科学版)》2015年第3期，第165-173页；Dan Shen,"Joint Functioning of Two parallel Trajectories of Signification",Style 51.2(2017),pp.125-145. ⑨详见Dan Shen,Style and Rhetoric of Short Narrative Fiction,pp.95-124; Dan Shen,"Subverting Surface and Doubling Irony:Subtexts of Mansfield's 'Revelations' and Others," English Studies 87.2(2006):pp.191-209. ⑩申丹：《女性主义和消费主义背后的自然主义：肖邦〈一双丝袜〉中的隐性叙事进程》，《外国文学评论》2015年第1期，第73—75页。 (11)详见Dan Shen,"Edgar Allan Poe's Aesthetic Theory,the Insanity Debate,and Ethically Oriented Dynamics of 'The Tell-Tale Heart,'" Nineteenth-Century Literature 63.3(2008),pp.321-345; Dan Shen,Style and Rhetoric of Short Narrative Fiction,pp.29-49。 (12)详见Dan Shen,Style and Rhetoric of Short Narrative Fiction,pp.70-92。 (13)Kate Chopin,Bayou Folk(Boston:Houghton,Mifflin and Company,1894),p.289. (14)详见Dan Shen,Style and Rhetoric of Short Narrative Fiction,pp.85-88。 (15)参见Per Seyersted,Kate Chopin:A Critical Biography(Baton Rouge:Louisiana State University Press,1969); Jean Bardot,"French Creole Portraits:The Chopin Family from Natchitoches Parish," in Kate Chopin Reconsidered,ed.Lynda S.Boren and Sara Desaussure Davis(Baton Rouge:Louisiana State University Press,1992),pp.29-30. (16)G.R.Thompson,Poe's Fiction(Madison:University of Wisconsin Press,1973),pp.13-14. (17)James W.Gargano,"The Question of Poe's Narrators," College English 25.3(1963),p.180. (18)李慧明：《爱伦·坡人性主题创作的问题意识探讨》，《学术论坛》2006年第5期，第153—154页。 (19)参见Arthur Hobson Quinn,Edgar Allan Poe(New York:Cooper Square Publishers,1969),pp.501-506. (20)Francis P.Demond,"'The Cask of Amontillado' and the War of the Literati," Modern Language Quarterly 15(1954),pp.137-146; David S.Reynolds,"Poe's Art of Transformation:'The Cask of Amontillado' in Its Cultural Context," New Essays on Poe's Major Tales,ed.Kenneth Silverman(Mass.New York:Cambridge University Press,1993),p.93. (21)Joseph J.Reilly,"Stories by Kate Chopin," Critical Essays on Kate Chopin,ed.Alice Hall Petry,New York:Prentice Hall,1996,p.73. (22)参见申丹：《双向暗恋背后的单向投射：曼斯菲尔德〈心理〉中的隐性叙事进程》，《外国文学》2015(1)，pp.27-39; Dan Shen,"Dual Textual Dynamics and Dual Readerly Dynamics'",Style 49.4(2015),pp.411-438. (23)Sylvia Berkman,Katherine Mansfield(New Haven:Yale University Press,1951),pp.163-164. (24)Desmond MacCarthy,Humanities(London:MacGibbon and Kee,1953),p.182. (25)H.Porter Abbott,"Review:Style and Rhetoric of Short Narrative Fiction:Covert Progressions Behind Overt Plots," Style 47.4(2013),p.560. (26)任卫东：《个体社会化努力的失败》，《四川外语学院学报》2006年第3期，第41页。 (27)任卫东：《个体社会化努力的失败》，第41—43页。 (28)Russell A.Berman,"Tradition and Betrayal in 'Das Urteil,'" in James Rolleston,ed.,A Companion to the Works of Franz Kafka(New York:Camden House,2002),pp.85-100. (29)Katherine Mansfield,"Revelations," in The Stories of Katherine Mansfield(Auckland:Oxford University Press,1984),p.344. (30)详见Dan Shen,Style and Rhetoric of Short Narrative Fiction,pp.98-110; Dan Shen,"Subverting Surface and Doubling Irony," pp.191-209. (31)J.F.Kobler,Katherine Mansfield:A Study of the Short Fiction(Boston:Hall,1990),p.87. (32)详见Dan Shen,Style and Rhetoric of Short Narrative Fiction,pp.98-110. (33)Rhoda B.Nathan,Katherine Mansfield(New York:Continuum,1988),p.93. (34)Chambers Dictionary of Literary Characters(Edinburgh:Chambers Harrap Publishers,2004),p.506. (35)J.F.Kobler,Katherine Mansfield:A Study of the Short Fiction(Boston:Hall,1990),pp.63-64. (36)Susan Lohafer,"Why the 'Life of Ma Parker' Is Not So Simple," Studies in Short Fiction 33.4(1996):p.475. (37)值得注意的是，《超越牛轭湖》和《一件精美瓷器》中的故事都发生在奴隶制废除之后，白人与黑人之间关系融洽，而《黛西蕾的婴孩》的故事背景为奴隶制时期，涉及黑人的苦难和死亡。作者通过隐性进程暗暗表达优越的白人血统与低劣的黑人血统之对照，以便把种族主义的罪恶转嫁于黑人血统，而把白人血统描绘成黑人的快乐之源，从而达到美化和神化白人奴隶制的目的。 (38)Angel Flores,"Foreword" to The Problem of "The Judgment," ed.Angel Flore(New York:Gordian Press,1977)；凯特·费洛里斯：《〈判决〉》，载叶廷芳编：《论卡夫卡》，北京：中国社会科学出版社1988年版，第136页。 (39)Flores,"Foreword" to The Problem of "The Judgment"；罗素·伯曼：《卡夫卡的〈判决〉：传统与背叛》，《东吴学术》2014年第4期，第105页。 (40)详见申丹：《情节冲突背后隐藏的冲突：卡夫卡〈判决〉中的双重叙事运动》。 (41)详见Dan Shen,Style and Rhetoric of Short Narrative Fiction,pp.111-124. (42)Martha J.Cutter,"Losing the Battle but Winning the War:Resistance to Patriarchal Discourse in Kate Chopin's Short Fiction," Legacy 11(1994),pp.17-24. (43)Mansfield,"Psychology," in The Stories of Katherine Mansfield(Auckland:Oxford University Press,1984),p.322. (44)详见申丹：《双向暗恋背后的单向投射：曼斯菲尔德〈心理〉中的隐性叙事进程》，《外国文学》2015年第1期，pp.27-39；Dan Shen,"Dual Textual Dynamics and Dual Readerly Dynamics'" Style 49.4(2015),pp.411-438. (45)Dan Shen,"Non-ironic Turning Ironic Contextually:Multiple Context-Determined Irony in 'The Story of an Hour,'" JLS:Journal of Literary Semantics 38.2(2009),pp.115-130. (46)Paul Witherington,"The Accomplice in 'The Tell-Tale Heart'," Studies in Short Fiction 22.4(1985),pp.473-474. (47)详见Dan Shen,Style and Rhetoric of Short Narrative Fiction,pp.50-69. (48)参见Dan Shen,"Dual Textual Dynamics and Dual Readerly Dynamics'" Style 49.4(2015),pp.428-435; Dan Shen,"How Dual Narrative Movement Can Metamorphose or Extend Narratology," keynote speech at the 5th International ENN Conference(Prague,Sept,2017); Dan Shen,"Dual Narrative Progression as Dual Authorial Communication:Extending the Rhetorical Model," Style 52.1-2(2018),forthcoming; Dan Shen,"Dual Narrative Movement and Dual Ethics," Symplokē 25.1-2(2017),pp.511-515. (49)详见申丹：《叙事“隐性进程”对翻译提出了何种挑战？如何应对这种挑战？》，《外语研究》2015(1)，pp.57-63；Dan Shen and Kairui Fang,"Stylistics" in The Routledge Handbook of Literary Translation,forthcoming. (责任编辑：admin) |